Search Results for: Noureddine Daifallah

Noureddine Daifallah

Moroccan Calligrapher born in 1960 in Marrakech where he teaches Fine Arts. His artwork has been exhibited in In Morocco, France, Spain, Portugal, Italy, UAE and Turkey. The Guggenheim Museum in New York acquired two of his paintings in 2002.

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Noureddine Daifallah


Noureddine Daifallah was born in 1960 in Marrakech, Morocco where he still works and lives. Daifallah studied at the Marrakech School of Arts as a sculptor however painting was his passion.

Daifallah works with traditional Arabic Calligraphy, with a contemporary interpretation, thus breathing new life into the noble artform of calligraphy. His unique approach through playing with letter formation, expresses a beautiful contrast to his intricate handwriting, thus evoking emotion and beauty from the Arabic script. Arabic calligraphy has a long history with the calligrapher being held in high status within the community, Daifallah has modernised this age old tradition opening a new chapter.

Daifallah’s first exhibition was when he was 17 and since his works have been exhibited in his homeland of Morocco and throughout Europe. His works have  been acquired  by such institutions as the Sharjah Art Museum in UAE, the Guggenheim Museum in New York and the Museum of Marrakech. He is currently a Professor of Fine Arts

Good Words and Worldly Goods – an on going collection of 3 Dimensional work and contemporary calligraphy


An exhibition encompassing 3 dimensional art and contemporary calligraphy.

Fabulous works by six masters of this ancient skill brilliantly interpreted into contemporary pieces,
placed along side some of the worlds finest glass makers ceramicists and sculptors. 13 makers under one roof with the the simple title  “Worldly Goods” [Read more…]

Mimouni

 

My painting could be compared to archaeology, a passion for rediscovering the lost object, a universe of forms , signs, traces and memories.  These are places of inspiration, or graphic breaths, of simple forms, of rapid writing, of the exploration of exterior and interior spaces. My quest draws on memories, recollections of forms, tangled curves, nervous quick lines that are never shown in a static position, but a caught in full movement. This archaeology of materials is often found in my paintings. Here. besides the traces and gestures and signs, many intimate objects linked to my childhood abound.

 

The different modes of expression- drawing, painting and engraving – reflect my inquisitive mind. Paintings on reused papers are a vital and essential element of my work, perhaps because of their fragility. This is embodies in the action of the paper itself which can add a playful element to the painting, expanding its freedom through movement, making it breathe. The brittleness of the puddled clay architecture of Taroudant,my birthplace in Morocco, these walls where time has left its trace, and the monochromy bound to this soil,its wrench, all this maintain the deep affinity that I feel for its architecture, signs and pottery.

 

Constantly prodded by an urgent need to paint which drives me to the point of exhaustion, I want to transcribe my inner hustle and bustle.

 

Mimouni El Houssaine

My painting could be compared to archaeology, a passion for rediscovering the lost object, a universe of forms , signs, traces and memories.  These are places of inspiration, or graphic breaths, of simple forms, of rapid writing, of the exploration of exterior and interior spaces. My quest draws on memories, recollections of forms, tangled curves, nervous quick lines that are never shown in a static position, but a caught in full movement. This archaeology of materials is often found in my paintings. Here. besides the traces and gestures and signs, many intimate objects linked to my childhood abound.

The different modes of expression- drawing, painting and engraving – reflect my inquisitive mind. Paintings on reused papers are a vital and essential element of my work, perhaps because of their fragility. This is embodies in the action of the paper itself which can add a playful element to the painting, expanding its freedom through movement, making it breathe. The brittleness of the puddled clay architecture of Taroudant,my birthplace in Morocco, these walls where time has left its trace, and the monochromy bound to this soil,its wrench, all this maintain the deep affinity that I feel for its architecture, signs and pottery.

Constantly prodded by an urgent need to paint which drives me to the point of exhaustion, I want to transcribe my inner hustle and bustle.

View Mimouni El Houssaine Portfolio