Khaled is a man wise beyond his years. Deeply contemplative and quietly confidant he is not only a driving force behind modern Arabic calligraphic practice but also a passionate advocate of a wider understand of this formidable art.
Recognition of his rightful place in the genre comes not only from art houses, museums, universities and collectors worldwide but also from fellow calligraphers who on numerous occasions have awarded him the
title of Master of Calligraphy in both modern and traditional categories. Initially this ability to stride the role of being a painter and a calligrapher was a dilemma until with maturity he accepted that the two exist along side, no decision had to be taken, in fact the discipline of confirming to the edicts of the seven “pillars” of Arabic Calligraphy, Thuluth, Naskh, Tualeeq, Kufic, Diwani, Diwani Jali Jali and Regga feeds his
abstract spirit allowing his painterly being to soar.