Looking Back – An illustrated Anecdotal Journey – Sunday 10th February at 7.30pm

Michael and Renée Hamilton-Clark

We arrived in Dubai in August 1965. Michael had come on an 18-month contract to be the site engineer on the initial Dubai-Sharjah Road. In fact we stayed on until May 1971, and our two boys were born here in 1966 and 1969 at the old Maktoum Hospital. Whilst Michael continued mainly with roadworks in Sharjah, Ajman and Umm al Qawain, Renée  joined the newly-opened  English Speaking School teaching French and Kindergarten. In 1969 she joined  the American Community School that was then just getting started, multi-tasking as secretary to the Principal, French teacher for grades 3-6 and helping to set up and run the school library. By the time we left, the winds of change had definitely started to blow and H.H. Sheikh Rashid’s vision was taking shape – oil was being exported, the World Trade Centre building was already an icon, port expansion was under way and the new airport terminal had been completed.  With our eldest son working here since 1997, we have been able to visit regularly, thus continuing our acquaintance with a corner of the World we have appreciated and loved right from the start. It is said that once you have had the sands of Arabia between your toes, you continue to feel them forever……….

Michael and Renée Hamilton-Clark take you on an illustrated anecdotal journey through the early days of Dubai’s development. Hosted at the Majlis Gallery on Sunday 10th of February from 7.30 pm

 

LB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The full collection of photographs is available for viewing at The Majlis Gallery.

or    Dubai 2013 Fold-out

Prints are available to order in three sizes. There is a minimum order value of 160 AED.

400 x 600 mm – 310 AED

300 x 450 mm – 165 AED

130 x 180 mm – 40 AED

 

A Selection of photographs from this collection:

1965 –  Bedus at Well.

1965 – Aerial of Aproach  30 Runway Dubai.

1966 – Start of D-S Road – Clock Tower on horizon.

1970- Holy Trinity Church soon after completion.

1970-  From Carlton roof towards Creek entrance.

 

 

2-1965-11 Bedus at Well  5x7 at 300dpi 9-1965-12 Aerial of Aproach  30 Runway Dubai  5x7 at 300dpi 10-1966-1 Start of D-S Road - Clock Tower on horizon  5x7 at 300dpi 32-1970-2 Holy Trinity Church soon after completion 5x7 at 300dpi 37-1970-7 From Carlton roof towards Creek entrance 5x7 at 300dpi

 

Good Words and Worldly Goods – an on going collection of 3 Dimensional work and contemporary calligraphy


An exhibition encompassing 3 dimensional art and contemporary calligraphy.

Fabulous works by six masters of this ancient skill brilliantly interpreted into contemporary pieces,
placed along side some of the worlds finest glass makers ceramicists and sculptors. 13 makers under one roof with the the simple title  “Worldly Goods” [Read more…]

“Oman,The Big View” A collection of superb water colours by John R Harris

“Oman,The Big View” A new collection of large scale watercolours by John R Harris

John has been a friend and stalwart of The Majlis Gallery for nearly 25 years. Years in which he has explored and painted the remotest parts of Oman and the UAE.

John’s year started in Oman, revisiting old haunts, with his sketchbook, gathering material for fresh paintings.His journey in Oman took him to Nizwa,Bahla,Ar Rawdah,Wadi Tanuf to Al Far,Sumail gap to Bid Bid ,Mutrah,Wadi Arbeieen,Quriyat,the coast of Sur to the boatyards of Kor,Wadi Tiwi,Wadi AshShab,Nakhal Fort to Wadi Abayad,Bani Kharous to Al Alya, then Rustaq and back across Al Bithna plain into Sohar returning to Dubai Via Hatta.

Yes a lot of miles in a week but an e-mail home described “Seeing Oman at it’s best”. The paintings John has been working on since, certainly reflect John’s love of the atmosphere and scale of the landscape there. Some images measuring 5′ x 3′ – yes, in watercolour

His new collection is stunning. The sheer scale of these watercolours do justice not only to the landscape itself but also to Johns mastery of a classic medium that still enthralls.

On our walls now but we can predict not for long

Maritime UAE

 

 

For thousands of years the sea has dominated the daily life of the inhabitants of this part of the world.  From the fish that formed the staple diet to the coral that created walls, the sea has given of its bounty, broadened horizons, enabled trade and taken its toll.

maritime uae  pays homage to the influence of the maritime enviroment on diverse art forms, from the crafting of wood and palm fronds into boats to the sophistication of underwater photography.

 

View Maritime UAE Portfolio

 

Abdullah Al Shehhi

Abdulla is a prominent player in the photographic movement within the UAE. He is The Secretary General of The Association of Emirates Photography and a member of The Arab Union of photographers. His work has been featured in countless publications and exhibitions including the Hamdan International Photography Award

Alexander Creswell

Creswell’s early years as the son of a diplomat instilled in him a love of travel and the observation of diverse cultures. Largely self taught he has become one of today’s most revered and collectible watercolour artists. He is noted above all else for his splendid series of commissions carried out for the British Royal Family. His artist-traveler lifestyle takes him literally all over the world but he is often drawn back to Oman and the UAE to record the fast disappearing evidence of, as he puts it, “past footsteps” Alexander’s paintings so vividly capture the light and atmosphere of the region. In his words “you have to really understand a place before you can expect to paint it convincingly.”

Farid Al Rais

Farid’s journey as an artist started in his early childhood. At an age when most children are trying to draw a person using straight lines and a circle he was already attempting to sketch people in three dimensions. His father also an artist has been a mentor and guide throughout his development. After joining university he stopped painting for five years, returning to it 2006. His first showing in a public gallery was in 2008. A winner of numerous prizes Farid is dedicated to depicting the rich culture of the UAE.

Jamal Abdul Rahim

Originally a Fisherman, Jamal always knew he was an artist. His totally untutored journey into the creative world allowed him the freedom to experiment, discover and on occasions stretch the boundaries of conventional image making. It was the world of printmaking that first engaged him,

Jamal’s modern touch, which is often applied in a seemingly random fashion, is only found in the most confident of artists.  He is a master of the print-making process but a fine painter and draftsman too, often presenting a series of etchings or paintings in highly original book form. This physical but deep thinking artist is fast becoming recognized as an important player in the Middle Eastern art world.

John Gregson

John completed his education in Fine Art, with a First Class Honours Degree from Manchester Metropolitan University in 1971. A successful career in Arts Education followed until 1995, when he chose to concentrate on the development of his own work. A painter passionate for detail and accuracy his travels through the Middle East have resulted in some stunning paintings that play with scale and abstraction. John revels in making the ordinary special, creating large works out of small subject matter.

Julian Barrow

Julian was the first artist to ever exhibit at The Majlis Gallery.  The oils of Dubai and its environs that Julian painted on his first trip to the area in 1978 have become collector’s items. He is a true traveler painter in the Orientalist Tradition. A highly esteemed artist who travels and exhibits worldwide his work is shown regularly at The Royal Academy and the Fine Art Society in London

Nawal Khoory

A graphic designer with a tendency to address social and cultural issues, Nawal is a 2008 graduate in Visual Communication from the American University of Sharjah; she has a passion for experimenting with different mediums and styles. Her love with printmaking, typography and conceptual graphic design has defined her method of working and made a huge impact in the way she personalizes her work. As an individual, she believes that art is not limited to one audience only, but should reach and touch on many issues. Her Family origins, in the old Al Fahedi Neighborhood of Dubai, form a strong influence on her subject matter, bringing the past into the future.

Maisoon Al Saleh

Maisoon  is one of the youngest Emirati Artists and Entrepreneurs to be making a name globally. She graduated from Zayed University in January 2010 with a degree in Interior Design, Her first solo show in autumn of 2010 was in Maraya Art Center, Sharjah. Her work was recently included in the Barjeel Art Foundation, Sharjah and in Art Dubai. Her art has mixed the figurative and surreal with her concerns for the modern and the traditional Emirati culture. A dedicated artist Maisoon undertook a scuba diving course in order to explore underwater.

Maitha Bint Khaled

Maitha bint Khalid is an Emirati photographer that has used the language of light since an early age. She translates her thoughts and ideas through to photographs through her own perspective. The main theme of her photos is falconry and Emirati culture in general, she is well known for taking falcon photos. Maitha achieved a number of awards locally and internationally in addition to honors like; “The best Emirati photographer of 2011” in Emirates photography competition besides the Honor of “AFIAP” from FIAP “International federation of Artistic photography”. She has also displayed her work in several national and international exhibitions. Her main aim is to spread the Emirati culture and traditions through photos to the world.

Mohammed Al Astad

Mohammed graduated in Graphic Design from the American University in Washington in 1987.

The ensuing years have seen him at the forefront of the UAE’s developing art movement. He has participated in over 300 joint and 20 solo exhibitions. A master of many genres Mohammed has more recently been pursuing his intriguing “art grave” series, a unique harnessing of the actual movement of the sea to create imagery articulated by the artists but formed by the action of the tide on canvases buried with their iron companions for anything up to 3 weeks.

Michael Chaikin

Michael originally trained as and became a hospital doctor. A desire for a more creative lifestyle eventually took him to Richmond adult education sculpture classes. This in turn led to him undertaking a sculpture degree. His knowledge of the internal workings of humans was invaluable in his kinetic studies of fish. These fish have guts and move in a fishy way. His recent trips to the UAE have seen him studying the inhabitants of these shores up close and personal. An enormous shark dominated his last show.

Nawal Khoory

A graphic designer with a tendency to address social and cultural issues, Nawal is a 2008 graduate in Visual Communication from the American University of Sharjah; she has a passion for experimenting with different mediums and styles. Her love with printmaking, typography and conceptual graphic design has defined her method of working and made a huge impact in the way she personalizes her work. As an individual, she believes that art is not limited to one audience only, but should reach and touch on many issues. Her Family origins, in the old Al Fahedi Neighborhood of Dubai, form a strong influence on her subject matter, bringing the past into the future.

Patrick Lichfield

Patrick , The Earl of Lichfield, a first cousin of Her Majesty Queen Elizabeth II,  was educated at Harrow and the Royal Military Academy, Sandhurst, after which he served for several years as an officer in the Grenadier Guards. In 1960 he inherited his grandfather’s earldom and, soon after left the army and became a photographer. Patrick Lichfield’s photography has spanned more than four decades of change. His iconic images, from the early 1960s to the present day include notable personalities and events that characterized their times. He visited the UAE many times towards the end of his life. His book Dubai A City Portrait contains many images inspired by the areas rich maritime environment

 

Richard Butterfield

Richard was born in the UK but has lived in the UAE for the past 20 years. His photographic skills were formed at an early age, when given a Zorki 4K , Russian Range Finder camera by his father. He has a passion for simplicity, and finds beauty in the simplest of objects. His maritime photographs in sepia are stylish contemporary images, demonstrating the historic relevance of the sea and its environs within the UAE.

Ronald Codrai OBE

1924-2000

Ronald Codrai was born in the Indian Himalayas in July 1924, and served in the Royal Air Force during the Second World War. In 1946 he was posted to Cairo, from where he travelled to many parts of the Arab World. He later joined an oil consortium and moved to what was then known as the Trucial States, now the UAE.  A talented and enthusiastic photographer, with a superb eye for composition , Codrai amassed a collection of thousands of images in his spare time, many of which have been published or exhibited. He is the author and photographer of the six volumes of An Arabian Album and One Second in the Arab World

Shamsa Al Maktoum

Shamsa is a 21 year old Emirati  who graduated with a bachelor in Visual Arts from Zayed University. Her interest in art started as a young child but was developed at Latifa School for girls where she did her GCSE and AS Level. Her passion towards the sea stems from the times spent with her father in or on the ocean, these idyllic days made her even more curious about what is out there or more accurately in there. Her ceramics sculptures are inspired by the soft and hard corals that exist in the waters of the UAE showing slight change and movement from once piece to another. Shamsa is passionate about raising awareness of environmental issues through her art practice.

Trevor Waugh

Trevor studied at the Slade School of Fine Art from 1970 to 1974, amongst his tutors were Sir William Coldstream and David Hockney. He graduated with a BA in Fine Arts. Alison Collins, the founder of The Majlis Gallery and Trevor first met in 1995 when she invited him to be an artist in residence at The Majlis Gallery. He took to the Middle East straightaway and was out painting on his first morning in Dubai. These early paintings focused on the amazing variation to the light values through the day. Many visits have ensued since, resulting in an abundance of sketches, watercolours,  oils and more recently books.

Sir Wilfred Thesiger CBE, DSO

1910-2003

Described as “the quintessential English explorer” and “the last, and certainly one of the greatest, of the British travellers,” Sir Wilfred was born at the British Legation in Addis Ababa and spent his first nine years in Abyssinia, a country utterly remote from the modern world. Spurred on by a desire for adventure, Thesiger set out to define his life by action. During the 1940s, he travelled with the Bedu in the Arabian Peninsula, becoming one of the first Europeans to negotiate the Empty Quarter (Rub al-Khali), the most forbidding region of Arabia, which he crossed twice. His motive for the crossing was not to reap glory, but to share the hardship of the life of the Bedu and to earn their comradeship. Travelling with him was his trusty camera with which he recorded many stunning images of life as it was in those times. He became a true friend of His Highness Sheikh Zayed bin Sultan Al Nahyan

 

 

 

 

Maritime UAE

 

For thousands of years the sea has dominated the daily life of the inhabitants of this part of the world.  From the fish that formed the staple diet to the coral that created walls, the sea has given of its bounty, broadened horizons, enabled trade and taken its toll.

maritime uae  pays homage to the influence of the maritime enviroment on diverse art forms, from the crafting of wood and palm fronds into boats to the sophistication of underwater photography.

This exhibition will run from 25th November – 7th December.

10am – 6pm Daily (except Fridays)

www.dubaiculture.ae

View Maritime UAE Portfolio

 

 

Childrens Portraits – Sylvia Woodcock Clarke

Childrens Portraits (sketching from life) by Sylvia Woodcock Clarke  – Throughout November.

A unique opportunity to have a sketch of your children, come and chat with Sylvia while she watches and draws your children at rest or play – From 800 AED

To make an appointment please call the gallery on +971 4 353 6233 or email majlisgallery@gmail.com

Faces – Nitin Dadrawala

From May 5th thru June 30th, 2012.

An Exhibition of recent works by Nitin Dadrawala.


Drawing is another way of thinking. Drawing is some kind of notation. There is no correct way of drawing a line. Richard Serra


I use line and another line and another line and  built up  an image which comes from within rather than a representation of something or somebody. It is something like reinventing face again and again.  A face that has lost its voice.  It is speechless. Its lips are stitched.  There is freedom to survive but no freedom to speak.  You cannot share your pain, sorrow.  Fascism is growing slowly. Somebody is controlling our every aspect of personal life. There is subordination of the individuals. Ruled by the mob where this face is helpless.  These faces are in an unquestioning state. Every face is suffering from suppression. This face sometimes cries. Tears pass silently though its eyes.  As least they have freedom to cry. Faces are stunned by reality. They are shocked. This face becomes universal representive of suffering individuals. Sometimes this face needs more eyes to cry or to show the pain. Just a pair of eyes is not enough. Faces are having a hard time everywhere. They represent global suffering. Horror of terrorism is seen on the face and the helplessness too.  Helpless faces standing quietly in the collapsing system. They find it difficult to cope with the present.  Faces abandoned. There is destruction in the construction of the face. My drawing process is like searching something or some expression which suprises me.  There is desctruction of face in this process, at the same time it is a creation and a never ending search. The force of lines I drew gradually evolved with the development of each face.  Thus each face is a discovery to me. The contribution of lines becomes complex, as complex as life.  There is no sign of liberation. The experience was like, with each drawing, I am travelling underneath the layer of a face.  Making these drawings is something like communicating some pain. These drawings are trying to evoke very strong emotions through very strong lines.

On the Wall 25th March – 15th June 2012

An exhibition of works following our On The Wall programme which ran during Art Week.

A colourful and vibrant collection of works by Paul Wadsworth, Sylvia Woodcock Clarke , Lynette Ten Krooden , John Harris, Astrid Harrisson and Marcus Hodge.

Sketches in pen and ink, pastels, oils, watercolours, photographs, framed and unframed these works speak for themselves.

Omani Sketchbook – Paul Wadsworth

Until 31st March 2012. 

A highly likeable character who lives life to the full Paul is a serious painter with a serious following but such fun too.

In his words “A painting is a combination of many things but, for me, becomes finished when a balance of chaos and control is found through the use of composition, colour, movement and self.

The desert landscape surrounding Dubai and the lush Hajar Mountains inspire many of the works; particularly the small, coastal enclave of Oman, the Mussandam with its stunning rock faces that through the process of time have produced a diversity of patterns, colours and shapes. Signs of ancient and present dwellings exist, mainly fishing villages that seem to merge into the mountains.

Painting out in the landscape in is a great inspiration; the moods of the sea, the big skies, deserts changing colour through the day, The tools Paul uses are brushes, pallet knives, large paint scrapers and quite often his hands. Paint is applied and quite often scraped off then reapplied until he can feel his way into the painting. This process can sometimes take awhile before something starts to happen on the canvas. He aims not to start a painting with too many preconceptions thus allowing for the work to change and develop with as much freedom as possible.

Off the Wall – Art Week

From 15th March to 25th March 2012

During artweek, The Majlis Gallery will be its usual hive of creativitiy.  Many of our favourite artists will be painting, drawing and sketching in the gallery  courtyard and out and about in Dubai.

Our Programme for Art Week is called Off The Wall and involves  international and national painters painting “en plein air” around Dubai and the UAE throughout the 10 days of Art Week with the work literally being stuck to the walls for perusal and sale as its finished.

Art Week, the umbrella initiative that includes Art Dubai, Design Days Dubai, Sikka, showcases the broad programme of cultural events taking place across the UAE and beyond from 15 to 25 March 2012. Art Week positions the Gulf – regionally and internationally – as a place of artistic production and home to numerous cultural centres. From expansive new museum projects in Doha to the thriving Dubai gallery scene, from one-off happenings, projects and installations to festivals and fairs, Art Week serves to demonstrate the dynamism and progressive spirit at large throughout the Gulf’s cultural scene.

Art Week actively encourages collaborations with art organisations, colleges, commercial galleries and non-commercial spaces, and helps to promote the UAE as the centre of the knowledge economy in the region, and as a home for the creative industries.

An Art Week guide will be published at the beginning of March, with detailed listings, previews and maps of key areas across the region.